Neon Codex

Where digital meets classical.

Filtering by Tag: Zen

Triptych: On Light and Shadows

I'm a rigid piece of work. I've been scared of basically everything for as long as I can remember and I'm way too sensitive. I think too much, about everything, and anyone else who is like this will know that analysis for its own sake won't bring any peace of mind. Like that classic image of a snake eating its own tail.

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The Temptation of Saint Anthony

His story becomes a living human parable, populated by impossible creatures and events, such as the ones I've described, illustrating a grander psychological reality. And the idea passes down through history, transforming naturally with the passage of each era and in the translation through each unique artistic voice. The Temptation of Saint Anthony has been immortalized for the past six-hundred years by master painters from every generation, stretching all the way from Bosch to his twentieth century descendants in Dalí, Carrington, and Ernst. Even the Renaissance Master Michelangelo's first painting, when he was just 13 years of age, was a rendition of Schongauer's copper engraving of Saint Anthony.  And it's influence of course hasn't been isolated to the world of painting, Gustave Flaubert alone spent the years of his life from the ages of 24 to 53, just 4 years short of his death, drafting and redrafting his novel based on the story. He considered The Temptation of Saint Antony his greatest achievement and, quite literally, his life's work. 

And it's in these transformations and mutations down through time that I think the real magic lies; the true fulfillment of Saint Anthony's lifelong journey, his walk across the delerious desert landscape which stretches now endlessly, along with his ultimate triumph, through the infinitude of human expression.

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What is Life?

So, what is all of this? What is it that we're doing here? That's really the question, that's what you're here and I'm here to find out, to talk about. I've been rolling the question of life around in my head a lot lately, one might even say that my life has been geared towards it all along.

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The Alchemy of the Word

In A Season in Hell, Rimbaud describes a phenomena which he refers to as "The Alchemy of the Word". He describes his poetic flights and whimsies giving rise to vivid hallucinations which describe entire free-standing worlds of images and ideas. The idea being that language can actually alter or affect reality, or one's perception of it--which really when it comes down to it, is all that there is. Words serving as the program-script to the operating-system (to borrow Grant Morrison's language) that is the physical universe. With them you can communicate the entire spectrum of human emotion and experience, build entirely new worlds, create people. And the delivery system itself, language, the word, shoots like quicksilver across the page, going through ranges of elegant transmutations from feeling to feeling, idea to idea. 

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Los Angeles in Abstract

Who could one be, as he or she slips through the eye of this needle? Alive one moment, not the next, bounding between sleeping and waking worlds, dreams and reality, in confused instants. Blurring the two together, indistinct of time or place. A city of angels dancing on the head of a pin...

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